The next Offbeat Theatre production has been a long time coming. After the darkness that was The Killing of Poe in February 2016 we had the promise of a lighter one act play courtesy of The Space in December 2016,
So you have a big cast and a play with LOADS of different locations – any one of which would be a challenge to stage. I directed Terry Pratchett’s ‘Wyrd Sisters’ a few years back and had just that scenario.
This was a fantastic set to work on. After Juliet is a moody, brooding beast of a one act play set just after the deaths of Romeo and Juliet. It deals with the anger, pain and frustration of Romeo and
There’s a ‘dramatic principle’ that Chekhov famously illustrated about what you should and should not have on set (or in your play if you’re writing). He said something along the lines of ‘don’t put a loaded gun on stage unless
I have a very intimate relationship with my set when I’m directing a show. Very, very intimate and important. The set is something that starts to take shape in my mind long before the cast have appeared. As I read
Confession: I HATE scene changes. That moment when everything comes to a standstill, the magic disappears, the lights go dim and people in black clothes start whoosing around the stage moving bits of the set on and off. I hate